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Art

Generating Graphic Designs

An interview with Deborah Huelsbergen, Associate Professor, Art Department

In an office immersed in brilliant lime green and blue, Deborah Huelsbergen sits in front of her computer screen, with its Fruitloops screen saver, digging through boxes to pull out examples of her artwork. An associate professor of art and graphic design at Mizzou, Huelsbergen highlights two recent projects--both illustrated children’s books.

When Pottery Bolsters the Spirit

An interview with Bede Clarke, Professor of Art

“Ceramics is a very demanding discipline,” explains Bede Clarke, MU Professor of Art. Even after 35 years in the field, he says, “it still takes a lot out of me to do good work.” Clarke’s creative activity focuses on two areas. One involves the use of color and drawing and painting on clay with abstract and figurative imagery, and the other is wheel-thrown pottery fired in a wood kiln to achieve glaze effects.

Cultural Connections

An interview with Lampo Leong, Associate Professor, Art

Brush in hand, Lampo Leong carefully dips the pointed tip into a small pool of jet black ink. He quickly moves the ink-laden brush towards the dry rice-paper on the table, a thin, tan sheet held down at the edges by paperweights. A brief pause, and then Leong dashes the brush to the paper, the tip and side jumping and dancing across the sheet with intense, determined movements. As the brush reaches the end of the paper, Leong steps back, sets it down, and clasps his hands together. “This is cursive Chinese calligraphy,” he explains.

How Big Mess Begets Great Art: Papermaking at Its Best

An interview with Jo Stealey, Professor of Art

When Jo Stealey leans over and plunges her arms elbow deep into a tub filled with cream-colored slurry—a combination of fiber pulp and water—it seems plausible that her husband has dubbed her “Queen of Big Messes.” At MU’s Fiber Studio, located in a repurposed industrial dormitory kitchen, she greets us in a knee-length rubber apron, informing us, “I usually wear rubber farm boots, too.” Holding a frame and screen (called a mold and deckle), she reaches into the tub and sieves a rectangle of wet cotton-like fiber, shaking gently to strain out the water. A sheet of paper is born.