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    <pubDate>Wed, 22 Aug 2007 20:42:01 GMT</pubDate>
    <description>Connecting you with the University of Missouri’s innovative research and creative activity</description>
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      <title>Translating the Classics</title>
      <link>http://syndicatemizzou.org/articles/show/61</link>
      <description>As Professor in the Classics Department at MU, Daniel Hooley’s research includes Roman poetry, the classical tradition, and translation studies, about which he has written three books, including his most recent, _Roman Satire_ (2006). Hooley first became interested in studying the classics through an “accidental journey,” studying the western classics as an English and Humanities graduate student at the University of Minnesota, where he focused his studies on modernism and wrote his dissertation on how Latin poetry was translated by American modernists such as Ezra Pound or T.S. Eliot. The dissertation became his first book, _The Classics in Paraphrase: Ezra Pound and Modern Translators of Latin Poetry_ (1988). </description>
      <pubDate>Wed, 22 Aug 2007 20:42:01 GMT</pubDate>
      <guid>http://syndicatemizzou.org/articles/show/61</guid>
      <author>(Tammy Ritterskamp)</author>
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      <title>Reading the Visual</title>
      <link>http://syndicatemizzou.org/articles/show/71</link>
      <description>The fact that Nancy M. West finds herself focusing so heavily on the visual in her research and teaching may at first seem to be “a sort of a curious thing,” but for the associate professor of English this fascination for the visual extends all the way back to a childhood devoid of photographs.  “I love thinking about what photography means to people. Having grown up with very few photographs in my household, I’ve always been drawn to them,” she admits.  It was no surprise, therefore, that West stumbled upon her first book project while scrounging through the bargain bin of an antique store: “I came across all of these old Kodak ads from the turn of the century, and I thought they were amazing.  The images were just breathtakingly beautiful.  The captions were unlike those we see now in ads.  They were much more elaborate, much more descriptive.  They addressed the consumer in very interesting, clever ways, and I just fell in love with them.”  And at that serendipitous moment, the idea for _Kodak and the Lens of Nostalgia_ (2000) was conceived. </description>
      <pubDate>Wed, 13 Feb 2008 06:00:00 GMT</pubDate>
      <guid>http://syndicatemizzou.org/articles/show/71</guid>
      <author>(LuAnne Roth)</author>
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