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Gallimore’s early research addressed how African Francophone writers subvert the French canon by drawing from their culture’s oral tradition to create different levels of meaning. In Gallimore’s first book, L’oeuvre romanesque de Jean-Marie Adiaffi. Le mariage du mythe et de l’histoire: fondement d’un récit pluriel (1996), Gallimore examines author Jean-Marie Adiaffi, particularly the novel La Carte d’Identité (1995). The main character in the book, who was a prince before colonization, loses his I.D. card. In the system imposed by the colonial French government, the loss of this I.D. card results in the loss of the man’s name and identity, so it becomes an allegory for the impact of colonization on the identity of the colonized.