The fact that Nancy M. West finds herself focusing so heavily on the visual in her research and teaching may at first seem to be “a sort of a curious thing,” but for the associate professor of English this fascination for the visual extends all the way back to a childhood devoid of photographs. “I love thinking about what photography means to people. Having grown up with very few photographs in my household, I’ve always been drawn to them,” she admits. It was no surprise, therefore, that West stumbled upon her first book project while scrounging through the bargain bin of an antique store: “I came across all of these old Kodak ads from the turn of the century, and I thought they were amazing. The images were just breathtakingly beautiful. The captions were unlike those we see now in ads. They were much more elaborate, much more descriptive. They addressed the consumer in very interesting, clever ways, and I just fell in love with them.” And at that serendipitous moment, the idea for Kodak and the Lens of Nostalgia (2000) was conceived.
The fact that Nancy M. West finds herself focusing so heavily on the visual in her research and teaching may at first seem to be “a sort of a curious thing,” but for the associate professor of English this fascination for photographs, and especially snapshots, extends all the way back to a childhood devoid of photographs. Traveling to Rochester, New York, home of the George Eastman House, West spent a week digging through boxes of advertisements (both published and unpublished) and documents ranging in date from 1888 to 1932. Her research eventually resulted in Kodak and the Lens of Nostalgia (2000), an interdisciplinary study that examines the advertising campaigns of the Eastman Kodak Company and reveals certain key fascinations in late nineteenth-century and early twentieth-century American culture.
Langen is gearing up for his next research project that will focus on late nineteenth-century Russian intellectual history. “These people thought of literary studies as something you could do scientifically,” Langen explains, and he plans to begin by exploring “the rules for responsible, scholarly discourse.”