In an office immersed in brilliant lime green and blue, Deborah Huelsbergen sits in front of her computer screen, with its Fruitloops screen saver, digging through boxes to pull out examples of her artwork. An associate professor of art and graphic design at Mizzou, Huelsbergen highlights two recent projects--both illustrated children’s books.

Craig Kluever’s dream was born as he found himself awestruck in front of a grainy black-and-white television screen watching Apollo 11 land on the moon. He was in kindergarten. As he puts it, “that just made a big impact on me. Of course, the first thing I wanted to be was an astronaut.” Those early dreams of becoming an astronaut turned instead into a pursuit of the science behind the rockets. Today, the MU Professor of Mechanical and Aerospace Engineering works behind the scenes to solve the kind of problems involved in designing space travel—such as how to take off, how to reach a target, and, more importantly, how to return safely to Earth.

M. Heather Carver is framed by her clown shadow—a black mannequin head wearing a pink camouflage hat and red clown’s nose—as she joyfully begins to describe her place at MU. “I come from a background of performing,” the Associate Professor of Theatre offers. “As a means of studying something, we perform it.” As a way of studying autobiography, for example, Carver performs autobiography.

The fact that Nancy M. West finds herself focusing so heavily on the visual in her research and teaching may at first seem to be “a sort of a curious thing,” but for the associate professor of English this fascination for the visual extends all the way back to a childhood devoid of photographs. “I love thinking about what photography means to people. Having grown up with very few photographs in my household, I’ve always been drawn to them,” she admits. It was no surprise, therefore, that West stumbled upon her first book project while scrounging through the bargain bin of an antique store: “I came across all of these old Kodak ads from the turn of the century, and I thought they were amazing. The images were just breathtakingly beautiful. The captions were unlike those we see now in ads. They were much more elaborate, much more descriptive. They addressed the consumer in very interesting, clever ways, and I just fell in love with them.” And at that serendipitous moment, the idea for Kodak and the Lens of Nostalgia (2000) was conceived.

Bin Wu has been responding to real-world problems related to industrial systems design for twenty years. “When we talk about industrial system design,” he explains, “we are talking about how to put facilities, people, and information systems together so that this system can function for whatever purpose it was designed to serve,” whether to manufacture or to supply. Traditionally, says Wu, when designing an industrial system our main consideration was always productivity – how to produce or manufacture things more efficiently. Three years ago, however, the MU Professor of Industrial and Manufacturing Systems Engineering received a wake-up call that changed the direction of his work.

So-Yeon Yoon admits that while she has always liked computer games, even as a young child, she has also always enjoyed painting and drawing. Yoon describes her watercolor paintings and how for her the creative process is “very addictive”: “I like colors and creating something beautiful, and creating things on the computer actually gives the same kind of fulfillment.” She is attracted to three-dimensional (3-D) images and experimenting with different textures and colors. Thus it is perhaps no surprise that Yoon found herself drawn to the field of architecture and interior design—“a perfect match” in which her creative desires and her interest in computers could merge. Today, the assistant professor of Architectural Studies focuses her research and teaching on the areas of Human Environmental Psychology and Interior and Architectural Design. Her current research combines information technology with interior design and architecture, a composite field in which she applies technology, particularly virtual reality (VR), to interior design problems.

Alex Barker wears several different hats in MU’s Department of Anthropology and the Museum of Art and Archaeology. One of these hats involves his research and fieldwork on the European Bronze Age and the ancient American southeast. The other involves the directorship of MU’s Museum of Art and Archaeology. Standing at the crossroads of several disciplinary fields, most of Barker’s field research has in recent years dealt with a single broad question: how social complexity grows out of egalitarian societies. His fieldwork in North America and the Old World follows this transition over different periods and regions.

The idea for SyndicateMizzou, if I recall the story correctly, arose during a lunch conversation involving two Center for eResearch personnel, founding director John Miles Foley and Information Technology Manager Jamie Stephens, shortly after the center was born in April 2005. “Wouldn’t it be great,” remarked the latter, “if there were a website that could syndicate diverse content, be fully searchable, and bring MU’s innovation, accomplishment, and expertise to the rest of the world?” It was initially over soup and sandwiches that this conversation grew into a conception of SyndicateMizzou—a website created to document and promote research and creative activity at the University of Missouri-Columbia. In fact, the trajectory from idea to reality provides a worthy case study for imagining and executing an online project.

Perna discusses how teaching others about music is her part of moving humankind forward.

Perna discusses what it means to teach music in a group context at Mizzou.

Miller talks about theatre, his love for it, and the challenges it presents.

Miller discusses his philosophy of teaching the disciplines of directing and acting.

How reading Plato's dialogues influenced Johnson to become a philosopher.

Within the Romance Languages Department, Gallimore has been teaching French composition, French literature and drama, and Francophone studies. During the Winter 2008 semester, Gallimore served as a Taft Visiting Research Fellow in a seminar about racism in French and Francophone literature. “Your research gives you insight for teaching,” she says, as she develops a new course on Afro-Persian writers and a new graduate seminar on testimonial writing.

In addition to running the Infant Cognition Lab, Luo also teaches cognition development courses at MU, ranging from infancy to toddler psychological and biological knowledge development.

Koller offers more history on how the Center came to be, as well as on his teaching philosophy.

The Department of Mechanical and Aerospace Engineering has recently developed an emphasis area in aerospace engineering. Kluever teaches such required courses in the general areas of dynamics (how bodies move and how forces produce certain velocities and accelerations) and controls (how to design a control system to do a particular task), and he teaches such elective courses as Space Flight Mechanics and Aircraft Flight Mechanics (how to design a space mission or determine such performance characteristics as take-off, landing, range, endurance, and stability with an airplane).

Heather Carver describes herself as “a performance studies artist/scholar,” someone who investigates an issue through performance—“so we study autobiography, and we do autobiographical performance.” Carver teaches several kinds of creative writing, at both the undergraduate and graduate level, in adaptation and performance of literature for theatre and the screen. She also co-directs the Writing for Performance Program, which helps students adapt different kinds of writing for the stage or screen, including poetry, short stories, autobiography, or ethnography. And Carver serves as creator and artistic director of the Life and Literature Performance series to showcase original and adapted work by MU students for the stage.

West teaches both undergraduate and graduate courses in the English Department on subjects bridging—like her research—the literary with the visual. She offers courses, for example, on British literature, film history, crime films, film adaptation of novels, novel illustration, and photography.

The teaching honors awarded to West bear witness to her pedagogical skills, including the Gold Chalk Award (1999, 2005), the William T. Kemper Fellowship for Excellence in Teaching (2004), and the English Graduate Student Association’s inaugural award for Outstanding Graduate Faculty Member (2005). Reflecting on her teaching, West states: “I really believe in interdisciplinary work—not just to present students with a reference every once in a while to an artistic or scientific movement, but to really see things from inside those disciplines. I think there are very rich connections to be made, and so I try to get students thinking in interdisciplinary ways.”

As a researcher at MU, Chicone spends a large portion of his time working with students. As an instructor involved with both graduate and undergraduate students, Chicone says that he learns a great deal from those he teaches.

Bin Wu, Professor of Industrial and Manufacturing Systems Engineering, has been researching, teaching, and consulting within the field of industrial engineering for twenty years. “When we talk about industrial system design,” he explains, “we are talking about how to put facilities, people, and information systems together so that this system can function for whatever purpose it is designed to fulfill – for example, to manufacture or to supply. Traditionally, when we designed a system, the main efficiency considerations were related to productivity.” About three years ago, however, Wu received a wake-up call: his son’s birth created a sense of urgency to address environmental issues, and specifically energy efficiency. He realized then that when designing and improving systems, particularly industrial systems, “energy has got to be a very important consideration, if not the most important consideration.”

Wu teaches a number of classes, at both the undergraduate and graduate level, in the area of industrial systems analysis and design.

Following years principally involved in research, Wu now spends more time working with both students and the public on energy efficiency and the environment. As he puts it, “I feel very strongly that every one of us needs to do something and behave in responsible ways, individually or collectively, [to] do something about it.” As an educator, Wu gets the message out to his students, who he says are the future: , “It’s really a very fulfilling thing to do. I have been a professor for all of my professional life—doing research, writing books and other publications, and teaching. I can honestly say that what I’m doing now regarding energy efficiency is absolutely the most fulfilling.”

Yoon teaches undergraduate and graduate courses in the Department of Architectural Studies. Her courses tend to focus on emerging technology (including Interior Design, Visual Design, Computer Graphics and Design, Photoshop, 3-D Computer Animation, and Web Graphic Design). Asked how she manages to stay at the cutting edge of technology, Yoon replies that she relies on her students: “Teaching is an essential part of my research, because I can use my students’ help.”

Barker has worked in several kinds of museums—natural history museums and anthropology museums. “No one feels uncomfortable going into a natural history museum without knowing about bird taxonomy or going into an anthropology museum without knowing the latest details about the origins of humans,” he says. “But a lot of people are uncomfortable coming to an art museum if they don’t know a lot about art, and that is not a good thing.” Fortunately, the Museum of Art and Archaeology combines art with classical archaeology, offering a view of the changes of art over a very long period of time. Barker has been trying to make people more comfortable with the idea of coming into the museum and having their own experience with art—engaging authentic objects, whether from antiquity or from more recent periods, on their own terms.

Barker refers to a certain tension between curators, who have all this 'stuff' they want to communicate, and exhibit designers, who want to keep the exhibit as clean and simple as possible. “Ultimately, we want people looking at the art, not at the labels,” he indicates; but the Museum still wants to educate. In that spirit, the museum is experimenting with technology to showcase the art and the significance of art to everyone by creating MP3-based audio tours of the museum that can then be played on any personal audio device, including iPods, notebook computers, and even cell phones. Barker hopes this will allow greater flexibility for visitors, whom he imagines selecting a tour and walking through the galleries at their leisure while looking at the art and listening to the audio information, “instead of looking back and forth between the label and the art.”

In this segment, faculty members talk about how their research and creative activity contribute to better teaching, as well as the relationship between these two aspects of their work. Frequently, the two endeavors intersect, profitting both. Carmen Chicone remarks, “If you are actively involved in your subject, you’re bound to be a much better teacher.”